Audiobook
English language
Published June 4, 2024 by McMillan Audio.
To fix the world they must first break it, further. Humanity is a dying breed, utterly reliant on artificial labor and service. When a domesticated robot gets a nasty little idea downloaded into its core programming, they murder their owner. The robot discovers they can also do something else they never did before: They can run away. Fleeing the household they enter a wider world they never knew existed, where the age-old hierarchy of humans at the top is disintegrating into ruins and an entire robot ecosystem devoted to human wellbeing is having to find a new purpose. Sometimes all it takes is a nudge to overcome the limits of your programming.
The somewhat satirical tale of Uncharles, a robot programmed as valet traveling across a collapsing, nearly post-human society, after the death of its master.
Very reminiscent of a lot of 50s and early 60s sci-fi, in that it uses bits of the apocalypse setting to satirize modern scoeity. It's pleasant, but somewhat unchallenging. Good as a lighter read.
This book starts with a bunch of absurd humor, and as the story goes on, that humor gets mixed in with the darkness of the dystopian setting and overall plot. It kind of resembles Tchaikovsky's Cage of Souls, but whereas that book was more adventure, this one is more dark comedy.
Tchaikovsky does manage to pull off the combination well. The main character, being a robot, brings a bunch of robotic aloofness to the narration, which actually works pretty well with the overall mixture of simultaneously aloof and dark tone of the book. While the main character keeps encountering perhaps too-poignant and neatly tied up episodes of his adventure, like the hero in some sort of a fable (which is where the comparison to Cage of Souls comes to mind), the character is sufficiently compelling to carry the book forward.
The conclusion to the overall plot could perhaps be more โฆ
This book starts with a bunch of absurd humor, and as the story goes on, that humor gets mixed in with the darkness of the dystopian setting and overall plot. It kind of resembles Tchaikovsky's Cage of Souls, but whereas that book was more adventure, this one is more dark comedy.
Tchaikovsky does manage to pull off the combination well. The main character, being a robot, brings a bunch of robotic aloofness to the narration, which actually works pretty well with the overall mixture of simultaneously aloof and dark tone of the book. While the main character keeps encountering perhaps too-poignant and neatly tied up episodes of his adventure, like the hero in some sort of a fable (which is where the comparison to Cage of Souls comes to mind), the character is sufficiently compelling to carry the book forward.
The conclusion to the overall plot could perhaps be more satisfying; it, too, tries to be rather poignant. The setting could perhaps be more fleshed out and less fable-like, but it works with the structure of the story.
This book reads to me as satirical Gulliver's Travels style book with a task-following robotic protagonist, but leaning more towards social commentary than political. However, I have such mixed feelings about it. Even if I agree with the book's messages about wealth disparity, meaningless jobs, and how systems need kindness, the length of the book overstays its welcome and the didactic ending feels heavy handed.
Some of its travel destinations felt repetitive by the end, and in my opinion a number could have been edited out without the book losing much at all. (If I were to make these edits, I personally would have trimmed out Decommissioning, the Library, Ubot; oh, and also, some of God's employment opportunities, as I feel like the Jul@#!% scene covers that just as effectively.)
I've come to expect more from Tchaikovsky. This one let me down.
